EVIDENCE OF THE INVISIBLE | Exhibition Catalog

Evidence of the Invisible is told from my perspective as a Christian raised in Ghana, where faith was not abstract but lived spoken aloud in prayer meetings at dawn, carried in song, whispered over children, and woven into daily life. I grew up understanding that the spiritual world was not distant. It was near. It moved through ordinary spaces. It shaped how we understood protection, endurance, and hope. Read More

Neighbor Gallery
176 9th Ave New York, NY 10011

Monday & Wednesday 10am - 5pm
Friday 12pm - 5pm

February 28th - March 13th 2026

Before She Is Named

7.5 x 10 inches | Ink on Paper, 2025

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She stands in the quiet before the world decides for her. Before the labels, before the judgments, before the narrowing of space. Her hands rest gently at her center as if guarding something fragile but powerful. She does not yet know how often she will be misread but she knows herself first.

A Whisper and a Prayer

8 x 11 inches | Ink on Paper, 2026

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A whisper is fragile. A prayer is unseen. What carries her forward is not spectacle, but belief soft, persistent, and strong enough to outlast the wind.

A Meditation in Red

8 x 11 inches | Ink on Paper, 2026

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Discipleship becomes proof of belief in continuity. The composition emphasizes transmission and humility knowledge and faith moving from one generation to the next through proximity and example. The red fabric grounds them in shared identity, while their forward lean suggests willingness to be shaped.

Before the Promise Appears

8 x 11 inches | Ink on Paper, 2026

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Before the Promise Appears becomes an image of contending for the prophecy: pressing on toward what has been spoken, even when it has not yet taken form.

Discipleship

8 x 11 inches | Ink on Paper, 2026

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My Witness

8 x 11 inches | Ink on Paper, 2026

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Within Evidence of the Invisible, this work frames witness as lived experience. The wind is unseen, yet it alters posture, fabric, and direction. This piece also emphasizes making time for rest and reflection.

Obi nnim obrempon ahyease

24 x 24 inches | Oil on Canvas, 2026

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This a Ghanaian Akan (Twi) proverb. It all begins in obscurity. Nothing about this child yet announces greatness no crowd, no title, no throne. Greatness does not announce its arrival. It often begins in silence, in overlooked spaces, in children who are simply allowed to be. What we see here is not the height of a life, but its beginning the unseen foundation of someone the world may one day call great.

The Cloud of Witnesses

36 x 36 inches | Mixed Media and Oil on Canvas, 2026

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The race before you is yours alone but we can trust those that have already come before us, believed and endured.

Witness without Voice

24 x 24 inches | Mixed Media and Oil on Canvas, 2026

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In the context of Evidence of the Invisible, the work explores faith as interior endurance. The seated posture implies contemplation rather than performance belief held without spectacle and service without applause.

It Happened at Dawn

40 x 30 inches | Mixed Media and Oil on Canvas, 2026

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This is based on a season in my life where there was a lot of enduring. This piece is anchored in the scripture "Weeping may endure for a night, but joy comes in the morning.” It is a promise from Psalm 30:5 (KJV/NKJV), symbolizing that sorrow, pain, and trials are temporary, while God's favor and joy are lasting. It offers hope that the "night season" of struggle will not last forever, ensuring that brighter, joyful times will follow.

Fruits

40 x 30 inches | Mixed Media and Oil on Canvas, 2022

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Within Evidence of the Invisible, the fruit becomes proof of unseen labor. What was planted in obscurity has now taken form in his hands. The work frames productivity not as sudden abundance, but as the visible outcome of faith, cultivation, and quiet perseverance.

Kept in the Fold of Faith

24 x 24 inches | Mixed Media and Oil on Canvas, 2026

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The work suggests that belief survives through communal holding. We are all different and woven into the fabric of life and our survival depends on one another.

Seeds of Promise

24 x 24 inches | Mixed Media and Oil on Canvas, 2026

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Within Evidence of the Invisible, the garments/cloth which is worn in Akan culture functions as prophecy. In Akan culture, cloth communicates status, lineage, and authority; here, it speaks of royalty not yet publicly enthroned. The children become seeds of promise already clothed in what they are becoming.

By Faith, They Held Each Other

24 x 24 inches | Mixed Media and Oil on Canvas, 2026

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Faith is not only vertical, directed toward heaven; it is horizontal, expressed through holding one another steady. Before the promise appears, they become strength for each other.

Between Breath and Water

24 x 24 inches | Mixed Media and Oil on Canvas, 2026

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The space between breath and water becomes a metaphor for unseen dependence. Breath cannot be grasped, and water cannot be held for long, yet both sustain life. The painting frames faith as that same invisible necessity present, essential, and moving with him even when unnamed. His solitude is not emptiness or loneliness but an opportunity for encounter.

Diversity in Unity

24 x 24 inches | Mixed Media and Oil on Canvas, 2026

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The unseen bond between them does not demand sameness. Unity is formed not through replication, but through shared alignment. The work insists that harmony can exist without uniformity; that difference, gathered intentionally, becomes strength rather than division.